Thursday, 16 December 2010

Camera Vocabulary

Camera
CAMERA SHOTS
Aerial Shot – A camera shot taken from an overhead position. Often used as an establishing shot.


Close Up – A head and shoulders shot often used to show expressions/emotions of a character. Also can be a shot of an object, filmed from close to the object or zoomed in to it, that reveals detail.


Extreme Close Up – A shot where a part of a face or body of a character fills the whole frame/dominates the frame. Also can be a shot of an object where only a small part of it dominates the frame.


Establishing Shot – A shot that establishes a scene, often giving ther viewer information about where the scene is set. Can be a close up shot (of a sign etc) but is often a wide/long shot and usually appears at the beginning of a scene.


Medium Shot – the framing of a subject from waist up.


Two Shot – A shot of two characters, possible engaging in conversation. Usually to signify/establish some sort of relationship.


Point-Of-View Shot (POV) – Shows a view from the subject’s perspective. This shot is usually edited so that the viewer is aware who’s point of view it is.


Over the Shoulder Shot – looking from behind a character’s shoulder, at a subject. The character facing the subject usually occupies 1/3 of the frame but it depends on what meaning the director wants to create (for example, if the subject is an inferior character, the character facing them may take up more of the frame to emphaise this).


Overhead Shot – a type of camera shot in which the camera is positioned above the character, action or object being filmed.


Reaction Shot – a shot that shows the reaction of a character either to another character or an event within the sequence.


CAMERA ANGLES

Camera Angle – the position of the camera in relation to the subject of a shot. The camera might be at a high angle, a low angle or at eye level with what is being filmed.

High Angle – A camera angle that looks down upon a subject or object. Often used to make the subject or object appear small or vulnerable.


Low Angle – A camera angle that looks up at a subject or object. Often used to make the subject/object appear powerful/dominant.


Canted framing (or oblique) – camera angle that makes what is shot appear to be skewed or tilted.


CAMERA MOVEMENT

Pan – Where the camera pivots horizontally, either from right to left or left to right to reveal a set or setting. This can be used to give the viewer a panoramic view. Sometimes used to establish a scene.

Track - a shot whjere the camera follows a subject/object. The tracking shot can include smooth movements forward, backward, along the side of the subject, or on a curve but cannot include complex movement around a subject. ‘Track’ refers to rails in which a wheeled platform (which has the camera on it) sits on in order to carry out smooth movement.


Crane – A crane shot is sometimes used to signify the end of a scene/ programme /film. The effect is achieved by the camera being put onto a crane that can move upward.


Steadicam - A steadicam is a stabilising mount for a camera which mechanically isolates the operator's movement from the camera, allowing a very smooth shot even when the operator is moving quickly over an uneven surface. Informally, the word may also be used to refer to the combination of the mount and camera.


Tilt - where a camera scans a set or setting vertically (otherwise similar to a pan).


Zoom – Using a zoom lens to appear to be moving closer to (zoom in) or further away from (zoom out) a subject/object when in fact the camera may not move (so, strictly not camera movement). Can be used for dramatic effect.


Wednesday, 15 December 2010

Key Vocabulary for TV Drama

Key Vocabulary for TV Drama

Camera Shots, Angle, Movement and Composition

• Shots: establishing shot, master shot, close-up, mid-shot, long shot, wide shot, two-shot, aerial shot, point of view shot, over the shoulder shot, and variations of these.
• Angle: high angle, low angle, canted angle.
•  Movement: pan, tilt, track, dolly, crane, steadicam, hand-held, zoom, reverse zoom.
• Composition: framing, rule of thirds, depth of field – deep and shallow focus, focus pulls.

Editing

Includes transition of image and sound – continuity and non-continuity systems.
• Cutting: shot/reverse shot, eyeline match, graphic match, action match, jump cut, crosscutting, parallel editing, cutaway; insert.
• Other transitions, dissolve, fade-in, fade-out, wipe, superimposition, long take, short take, slow motion, ellipsis and expansion of time, post-production, visual effects.

Sound

• Diegetic and non-diegetic sound; synchronous/asynchronous sound; sound effects; sound motif, sound bridge, dialogue, voiceover, mode of address/direct address, sound mixing, sound perspective.
• Soundtrack: score, incidental music, themes and stings, ambient sound.
Mise-en-Scène
• Production design: location, studio, set design, costume and make-up, properties.
• Lighting; colour design.

Areas of representation
• Gender
• Age
• Ethnicity
• Sexuality
• Class and status
• Physical ability/disability
• Regional identity

Monday, 18 October 2010

How Ethnicity is represented in 'Compulsion'

The director of 'Compulsion' uses various methods, such as editing and sound, mis en scene and different camera shots to represent ethnicity. Conveying ethnicity through these techniques gives the audience a better understanding of the characters' values, tradition and culture. 

The five minutes of 'Compulsion' viewed in class showed the 25th birthday of the daughter of a traditional Indian family. The daughter rebels against her family and culture and has an affair with a white man from her university even though her parents clearly want her to marry an Indian man.

Mis en scene is used a lot to convey ethnicity in this clip of 'Compulsion', particularly through costume. The majority of the characters in the clip are Indian and wearing traditionally Indian clothing (saris and a lot of jewellery) and the white characters in the clip are wearing suits and cocktail dresses. The difference in costumer emphasising culture and the differences between the two. The set is also decorated in a traditional way, it looks expensive and religious ornaments and symbols can be spotted, this contributes to the ethnicity of the clip and reflects the family throwing the party's background.   

The programme starts with an establishing shot, showing the venue of the party, the decorations and grandness of the house reflect the wealth and ethnicity of the family. Close-up shots are used to allow the viewer to see the personal identity of characters. Over-the-shoulder shots are also used, this allows the viewer to see what's going on in the room. 

Sounds are also used to represent ethnicity this is done through the Indian soundtrack and accents.